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261.
Performers on stage, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
262.
Performers on stage, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
263.
Performers on stage, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
264.
Man creating a sign with the word "Charlie" during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
265.
Women in dark clothing stand in a circle with arms raised, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
266.
Performer drinking from a bottle while another performer in military costume looks on, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
267.
Performer wearing dark robe, sombrero, and skeleton mask holding a gun, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
268.
El Teatro del Piojo members posing with United Farm Workers Flag, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
269.
Tomás Ybarra-Frausto speaks on stage wearing denim jacket, during a Teatro del Piojo production, in an unknown venue, ca. 1969-1979
270.
Performers in yellow capes in front of banner reading "Reflexiones de la Raza", during a production of Teatro del Piojo at the Ethnic Cultural Theatre, University of Washington, Seattle, Washington, , ca. 1969-1979
271.
Spotlit woman kneels holding book on stage during a production of Teatro del Piojo at the Ethnic Cultural Theatre, University of Washington, Seattle, Washington, , ca. 1969-1979
272.
Performers in costumes holding up scarves during a production of Teatro del Piojo at the Ethnic Cultural Theatre, University of Washington, Seattle, Washington, , ca. 1969-1979
273.
Performers kneel on stage during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
274.
Tomás Ybarra-Frausto with female guitarist and others on stage during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
275.
Sally Cantu and five other people on stage during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
276.
Sally Cantu and three other people on stage during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
277.
Tomás Ybarra-Frausto holding a hat with another man on stage during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
278.
Performers holding signs and flags on stage during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
279.
Tomás Ybarra-Frausto and others on stage with cross during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
280.
Tomás Ybarra-Frausto and others on stage with Viva La Raza sign and United Farm Workers flag during a performance of the Teatro del Piojo, U.S. Penitentiary on McNeil Island in Steilacoom, Washington, 1972
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