|Title||Modern 20th c. marbled paper, Italian on Turkish combed, Double marble |
|Artist||Guyot, Don |
|Studio Name||Colophon Hand Bindery |
|Place of Production||United States -- Washington (State) -- Seattle |
|Descriptive Notes||Wolfe: not listed|
Muira and Schleicher call this method of pattern building a Double marble.
Though related, a Double marble is not the same process as an 'Overprint' (Wolfe plate XXXVII 180).
The first instance of Double marbling was seen in the 17th century.
A Double marble is created when, after the first desired pattern is completed and the paper dried, the same paper is again treated with Alum and marbled with the second pattern over the top of the first. In this case, the base pattern is clearly visible in a blocked out area (16 x 15 cm.) in the center of the work, perhaps left bare (without the overlaid marbling) to provide a place for a calligraphy inscription. The base or first pattern is a combed Turkish marble with an Italian pattern over the top.
The primary colors for this example are grey, black and yellow ochre.
|Collection Notes||The image from which this image was scanned is a flat, full sheet.|
|Paper Process/Medium||Surface application papers -- Marbled papers |
|Prominent Pattern Type||Double marble|
|Secondary Pattern Type||Italian|
|Object Type||Paper;Marbled paper |
|Physical Description||58 x 44 cm. |
|References||Muira pgs 120-121(Double marble); 52 (Italian); 47-49 (Turkish)|
Schleicher pgs 130-131 (Double marble)
Wolfe plates XXXVI 157-159 (Italian); XXVI 44-48 (Turkish)
|Digital Collection||Decorated and Decorative Paper Collection|
|Digital Image Number||DEP501 |
|Repository||University of Washington Libraries, Special Collections Division |
|Repository Collection||Book Arts Collection |
|Reference Number||SC-modern-Guyot-mp5 |
|Digital Reproduction Information||Scanned from an original sample using a Microtek Scanmaker 9600XL at between 550-600 ppi, saved in TIFF, resized, and imported to JPEG 2000. |