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Modern 20th c. marbled paper, Italian on Turkish combed, Double marble
Modern 20th c. marbled paper, Italian on Turkish combed, Double marble
TitleModern 20th c. marbled paper, Italian on Turkish combed, Double marble
ArtistGuyot, Don
Studio NameColophon Hand Bindery
Place of ProductionUnited States -- Washington (State) -- Seattle
Date1976
Descriptive NotesWolfe: not listed
Muira and Schleicher call this method of pattern building a Double marble.

Though related, a Double marble is not the same process as an 'Overprint' (Wolfe plate XXXVII 180).

The first instance of Double marbling was seen in the 17th century.

A Double marble is created when, after the first desired pattern is completed and the paper dried, the same paper is again treated with Alum and marbled with the second pattern over the top of the first. In this case, the base pattern is clearly visible in a blocked out area (16 x 15 cm.) in the center of the work, perhaps left bare (without the overlaid marbling) to provide a place for a calligraphy inscription. The base or first pattern is a combed Turkish marble with an Italian pattern over the top.

The primary colors for this example are grey, black and yellow ochre.

Collection NotesThe image from which this image was scanned is a flat, full sheet.

Paper Process/MediumSurface application papers -- Marbled papers
Prominent Pattern TypeDouble marble
Ghost
Double-Passage
Doppel
Phantom
Secondary Pattern TypeItalian
Neo-Italian
Vein
Hair Vein
Veiné
Moucheté
Haarader
Ader

Turkish

Spot
Stone
Agate
Stein
Achat
Caillouté Simple
Object TypePaper;Marbled paper
Physical Description58 x 44 cm.
ReferencesMuira pgs 120-121(Double marble); 52 (Italian); 47-49 (Turkish)
Schleicher pgs 130-131 (Double marble)
Wolfe plates XXXVI 157-159 (Italian); XXVI 44-48 (Turkish)
Digital CollectionDecorated and Decorative Paper Collection
RepositoryUniversity of Washington Libraries, Special Collections Division
Repository CollectionBook Arts Collection
Reference NumberSC-modern-Guyot-mp5
Digital Reproduction InformationScanned from an original sample using a Microtek Scanmaker 9600XL at between 550-600 ppi, saved in TIFF, resized, and imported to JPEG 2000.
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